It’s been 10 years since the Englishman James Hunter burst onto the scene with his U.S. debut People Gonna Talk, topping the Billboard Blues Chart, earning a Grammy nomination and attracting universal acclaim from critics and his fans – including Van Morrison, Sharon Jones and Allen Toussaint. Ove the last decade, he’s toured extensively around the world on the club, theatre and festival circuits, steadily growing a dedicated audience comprised of hardened gig-goers, old-school baby boomers and young hipsters alike. His follow-ups The Hard Way and Minute By Minute, further cemented Hunter’s reputation as a soul powerhouse, heralded for his talents both as a live performer and perhaps even more so as a songwriter, with The New Yorker describing his “tight, taut compositions” as “rooted in American soul music without being bound to it.” Now Hunter is back with his fourth album, Hold On! marking his debut on Daptone Records, America’s premier soul imprint and Hunter’s second collaboration with famed producer Gabriel Roth aka Bosco Mann. It also marks a cumulative and consecutive total of 48 original songs written exclusively by Hunter, without resorting to a single covered recording. At age 53, Hunter feels he has finally found his home for making music. There are no clichéd throwback nods to a-time-gone-by here. These are forever songs crafted with immaculate care and ingenuity and sang with an effortless balance of tenderness and grit. The word “authentic” will be bandied about this album, but it really has no place here. Hunter’s words are truly his own and though at moments his voice may “evoke” Ray Charles or Sam Cooke, there lies an inherent naturalness in these songs that bucks any comparison past or present.
James Hunter was born Neil James Huntsman in Colchester, Essex in October 1962. He left school at 16 to work mending signal boxes on the railways. Introduced to rock’n’roll and rhythm’n’blues via his grandmother’s collection of old 78s, he quickly fell in love with the genre and began to develop his sound as a teenager. His first experience of playing live didn’t occur until he was 22, when his group performed at Colchester Labour club (“we were dreadful”), but his career swiftly started swinging as powerfully and jubilantly as his music. Adopting the moniker Howlin’ Wilf in honour of one of his biggest inspirations, in 1986 he cut an album titled Cry Wilf for the independent Big Beat label with backing band The Vee-jays. Early the following year, he enjoyed his big break when the band made an appearance on Channel 4’s Friday teatime music show The Tube. Howlin’ Wilf & The Vee-Jays became a popular fixture on the UK club circuit, and in the early ‘90s they caught the eye of Van Morrison, who asked them to back him at the Belfast Telegraph Awards in 1991. Subsequently, Hunter was invited to sing backing vocals with Morrison’s touring band – he appears on 1994’s A Night In San Francisco live CD and on 1995’s studio album Days Like This. Returning the compliment, the Belfast soul man sings on Hunter’s 1996 album Believe What I Say. By the early 2000s, however, Hunter found himself down on his luck and working as a labourer in west London but soon realized it was more lucrative and better fun to earn a living busking. With his trusted Six he cut the album that would ignite his career – 2006’s People Gonna Talk, and relaunched his career. In the decade since, Hunter has worked tirelessly on the road and in the studio, honing is craft. However Hold On! is something deeper than just another notch in his belt. From the driving stompers, to the bubbling rumbas, the record drips with the rawness and feeling that Daptone fans have become accustomed to, and cuts straight to the soul of the man who James Hunter fans have come to love. It is truly an artist’s vision come to fruition.
