Asleep at the Wheel has seen miles and miles of Texas and they got their kicks on Route 66. Now in their 46th year, the band continues to introduce the western swing genre to a new generation. “It’s been an amazing ride. From Paw Paw to San Francisco to Austin, we’ve seen it all,” says Wheel front man Ray Benson. “But, rest assured, there are still so many exciting projects in the works. The Wheel keeps rolling!”

It all started when Ray Benson, Floyd Domino and Lucky Oceans, along with a Vermont farm boy named Leroy Preston; Virginian Chris O’Connell; and Gene Dobkin, a bass player and fellow classmate of Benson’s joined forces. They began with a simple goal: to play and help revive American roots music. Asleep at the Wheel landed a gig opening for Alice Cooper and Hot Tuna in Washington, DC in 1970. A year later, they were coaxed into moving to California by Commander Cody, leader of Commander Cody & His Lost Planet Airmen. But, the band’s big break came when Van Morrison mentioned them in an interview with Rolling Stone. “There’s some relatively unknown group around that I really dig. Asleep at the Wheel plays great country music,” said Morrison to Rolling Stone in 1973. The record offers started coming in and the Wheel got rolling.

The musicianship of Asleep at the Wheel has become the stuff of legends. Reuter’s pegged the Wheel as “one of the best live acts in the business.” Taking a page from Bob Wills’ book, the band has constantly toured at a national level throughout its history; with anywhere from seven to 15 of the finest players Ray Benson could talk in to jumping in the bus to play a string of dates. A quick scan of awards, such as “Touring Band of the Year” (CMAs, 1976) and “Lifetime Achievement in Performance” (Americana Music Awards 2009), not to mention near dominance of the GRAMMY “Country Instrumental” category over the years, reflects the reputation of the band’s musicianship.