“Local Natives epitomized L.A. indie with the airy harmonies, hirsute style, and earnest ambition of their lovably scrappy debut, 2010’s album Gorilla Manor. As the decade comes to a close, they still do.” – Pitchfork.com; May 3, 2019

Face-to-face songwriting and musical interplay put to tape: the classic studio setting is juxtaposed on Local Natives’ fourth full-length, Violet Street [Loma Vista Recordings] with modern production and visuals to form a timeless album. The band’s signature soaring 3-part harmonies are augmented by loops of tape, physically spliced and transformed by hand, the result of experimenting in the studio with producer Shawn Everett [Alabama Shakes, Kacey Musgraves, The War On Drugs] is a band renewed.