Jason Isbell and the 400 Unit and Old Crow Medicine Show have rescheduled their original Friday, March 27, 2020 performance to Thursday, August 20, 2020. The original date was postponed in accordance with the CDC, state and local public health guidelines surrounding the Coronavirus (COVID-19).

Tickets for the original date will be honored for the new date; no new ticket purchase is needed. For those that cannot attend the rescheduled date, and wish to request a refund, the Amphitheatre has approved refunds for this event and refunds will be available at the point of purchase. Please be patient during this time as the St. Augustine Amphitheatre and Ponte Vedra Concert Hall Box Offices are closed until further notice by state mandate. For patrons that purchased tickets online via Ticketmaster.com, please see Ticketmaster’s COVID-19 Refund Guidelines available at https://blog.ticketmaster.com/guidelines-canceled-postponed-events and please note that Ticketmaster is experiencing longer than normal refund processing times.

Four-time Grammy Award Winning Americana singer-songwriter Jason Isbell and the 400 Unit’s new album, The Nashville Sound, is a beautiful piece of American music-making, and the songs on it send sparks flying into a culture that’s already running so hot the needle on the temperature gauge is bouncing erratically in the red. And while it’s understandable that, in this moment, some people want their radio to help them drift away, this finely calibrated set of ten songs is aimed right between the clear eyes of people who prefer to stay present and awake. It’s a call to those who won't cower no matter how erratically the world turns, and who aren’t afraid of what looks back when they look in the mirror. Bruce Springsteen did that. Neil Young did that. Jason Isbell does that.

As with Isbell’s 2013 breakthrough, Southeastern, and his double-Grammy-winning follow up, 2015’s Something More Than Free, The Nashville Sound was produced by Dave Cobb. Isbell says that he and Cobb created a simple litmus test for the decisions they made in the two weeks they spent at RCA Studios (which was known as “The home of the Nashville Sound” back in the ’60’s and ’70s): they only made sonic moves that their heroes from back in the day could’ve made, but simply never did. It’s a shrewd approach—an honest way to keep the wiz-bang of modern recording technology at arms-length, while also leaving the old bag of retro rock ’n’ roll tricks un-rummaged. Lyrically, The Nashville Sound is timely. Musically, it is timeless.