When The Allman Betts Band released Down to the River in June of 2019, the debut album represented not only the first time the group had recorded together but the first time the seven-piece ensemble had ever played together. If Down to the River was the sound of the band’s combustible sparks igniting, then Bless Your Heart is their bonfire, built for the summer of 2020 and beyond. A double-album follow-up fueled by road-forged camaraderie and telepathic musical intensity, vibrantly reflecting the individual and collective experiences of these seven, all drawing inspiration from the band’s symbolic hometown- a place Devon Allman calls “the United States of Americana.”

In 2019, as Down to the River topped charts and dotted playlists, The Allman Betts Band toured. Sold-out U.S. theatres in spring turned to festival dates in summer, even crossing over the Atlantic for a string of European appearances. It was in Germany in late July when Allman, the group’s co-founder, guitarist, and singer, required a tour-ending hospital stay for minor, but necessary surgery. His recovery postponed several ensuing shows, but the writing for a second album enthusiastically continued.

Along with co-founder, guitarist, and singer Duane Betts, the pair already had a growing notebook of new songs, largely composed on the tour bus or in hotel rooms across the country. They re-enlisted Stoll Vaughan, a singer-songwriter from Los Angeles (via Kentucky), to advise on the developing material. They booked a return to Alabama’s Muscle Shoals Sound Studio, the historic recording facility where they’d cut the debut, as well as re-signing Grammy-winning producer Matt Ross-Spang to reprise his role helming the recording.

In a week’s time, they recorded 13 songs with additional tracking in Memphis and St. Louis. Within the eclectic repertoire are the familiar: stacks of guitars; electric, acoustic, and slide; a throttling, percussive rhythm section. And the fresh: Bassist and singer Berry Duane Oakley’s ABB vocal debut on his original song (“The Doctor’s Daughter”); Allman’s baritone vocal channeling Johnny Cash (“Much Obliged”); Betts extending the legendary family legacy of incendiary instrumentals (“Savannah’s Dream”). They tapped friends, as well, such as Jimmy Hall, Shannon McNally, Art Edmaiston, Susan Marshall, and Reba Russell for guest contributions. Then, emerged with an undeniable achievement of an album (what sophomore jinx?) worthy of its winking, unabashedly Southern title.

“I think we definitely challenged ourselves, pushed ourselves artistically, and widened the spectrum on all levels. We wanted something that was a little more sweeping. A deeper experience,” says Betts.  Says Allman, “I hope what people hear on Bless Your Heart is a band that’s having a love affair with being a band.”