Singer/songwriter Mason Jennings blends the personal insights of a poet, the political broadsides of a protest singer, and the broad musical eclecticism of a jazz musician with a rock & roller's passion. The result made him one of the most talked-about new artists on the acoustic music scene and earned him a loyal cult following, as he moved over 30,000 copies of his first two albums and sold out shows around the country without the benefit of a major-label publicity department.

As one grows into adulthood, remaining steadfastly single-minded about one’s pursuits gets increasingly difficult. The musician becomes a band mate navigating the creative energies of those around them. He becomes a boyfriend, a husband, a businessman. She becomes a lover, a mother, a practitioner of her art. Life becomes multifarious, and the pressure to not let the disparate threads of a chaotic life unravel can cause strain on any relationship. With his album Minnesota, Mason Jennings crafts a collage of love trying to survive the transition into being a grown-up in a complex world.

“Love is the most important thing to me, my relationship with my wife and kids,” Mason says, adding “And music has always been as important as breathing to me. I have come to realize that to have it all, I have to take the long view when it comes to integrating all these parts of my life.” Increasingly, a sense of place and community has become important to him as well. “The album is called Minnesota because it’s a metaphor for an ever-changing landscape. More than any place I’ve ever been, things change so much here, even month-to-month. But even as things change, Minnesota is where my home is, where my center is.” His profession often takes him away from that center. Being on the road and finding the personal space to create while at home has caused him to examine how he balances his loves. He generally writes from an intensely personal point of view, but Minnesota represents a step toward the light after the darkness of Blood of Man, his last album.

Musically, Mason paints from a more varied palette than ever. For instance, the piano is featured more prominently than any of his previous albums. “The piano seemed to fit the emotional core of the album,” he explains. “I felt that it was important to begin and end the album with piano.” Mason played almost all of the instruments on the album, the one exception being “Well Of Love,” a Perez Prado-esque number that features his friends in The Living Room, the side project of Jack Johnson drummer/percussionist Adam Topol. Friend Jason Schwartzman adds additional piano and background vocals on “Raindrops.”

Jennings’ most recent album, Wild Dark Metal, was released on March 18, 2016. As Jennings says, “It deals with loss, love, suffering, longing, and mystery. I hope it finds the listener who is looking for it. I hope it brings deep medicine. I hope you play it loud.”